Autobiographics: A Feminist Theory of Women's Self-Representation. Leigh Gilmore

Autobiographics: A Feminist Theory of Women's Self-Representation


Autobiographics.A.Feminist.Theory.of.Women.s.Self.Representation.pdf
ISBN: 9780801480614 | 280 pages | 7 Mb


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Autobiographics: A Feminist Theory of Women's Self-Representation Leigh Gilmore
Publisher: Cornell University Press



As she writes in her 2010 autobiography, Hammer! Jan 20, 2014 - Needless to say, in the feminist criticism that arose in the decade following the release of Persona, the grounding of woman's condition in motherhood was a subject not merely to be avoided, but directly attacked.[1] Biographical . Mar 20, 2012 - Penguin Books (2000), Paperback, 307 pages A wonderful autobiography by a feminist scholar who explores her own experience of colonization, and her own identity as an Egyptian, Muslim, Arab woman. Apr 11, 2013 - In 1979, American experimental filmmaker Barbara Hammer came to a feminist film conference in southern Ontario, hoping to screen her seven-minute film, Multiple Orgasm. In contrast to the tension between surface and depth, role and “real” self, implied in the revelation of the diaries, the tension between warmth and cold in the passage just quoted is a clash between two surface sensations. How useful is Charles Hatfield's notion of “ironic authentication” for understanding the autobiographies of women cartoonists? Another Ahmed absorbed its popular theory which seemed to explain other people's lives but had no relevance for her own. Jan 23, 2014 - In 1940, following the successive shocks of the Nazi-Soviet Pact, the Red Army's invasion of eastern Poland, and the Soviet war against Finland, Shachtman and James Burnham, co-editors of the Trotskyist theoretical journal New .. In describing how she has brought together her own various identities, she warns us all of the dangers of polarizing self-definitions. Instead, a woman representing the Ontario Censor Board marched up to Hammer and threatened to confiscate the film if she tried to show it. €�excesses of disclosure.” But he doesn't read her comics closely in light of this theory of “ironic authentication. In reality, Kominsky-Crumb is very beautiful; her self-representation, especially in the first panel, with all that cellulite, is a grotesque distortion of her appearance, as in the Pekar and Clowes. Nov 3, 2010 - Professor · 15 comments. Butler's essay is critical of feminist theory for its restrictive (and exclusive) definition of “woman.





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